Robert J. Snow, Obras completas de Rodrigo de Ceballos, Centro de Documentación Musical de Andalucía, Granada 1995-2003
Miguel Querol Gavaldá, Cancionero Musical de la Casa de Medinaceli, Consejo Superior de Investigaciones Científicas (CSIC), Instituto Español de Musicología, 2015
Esteban Daza, El Parnaso, 1576. Transcripción para vihuela de 4 piezas.
Información sobre fuentes originales: Cancioneros musicales españoles
Score | Mobile | Didactic MIDIs | Files | |||
---|---|---|---|---|---|---|
20. Gaude Dei genitrix | tablet phone | S | A | T | B | mid ly |
21. Haec dies | tablet phone | S | A | T | B | mid ly |
22. Regina caeli | tablet phone | S | A | T | B | mid ly |
23. Salve regina | tablet phone | S | A | T | B | mid ly |
24. Deo dicamus gratias | tablet phone | S | A1 A2 | T | B | mid ly |
Score | Mobile | Didactic MIDIs | Files | ||||
---|---|---|---|---|---|---|---|
1. Veni Domine | |||||||
1. Kyrie | tablet phone | S | A | T | B | mid ly | |
2. Gloria | tablet phone | S | A | T | B | mid ly | |
3. Credo | tablet phone | S | A | T | B | mid ly | |
4. Sanctus et Benedictus | tablet phone | S | A | T | B | mid ly | |
5. Agnus Dei | tablet phone | S | A1 A2 | T | B | mid ly | |
2. Simile est regnum caelorum | |||||||
1. Kyrie | tablet phone | S | A | T | B | mid ly | |
2. Gloria | tablet phone | S | A | T | B | mid ly | |
3. Credo | tablet phone | S | A | T | B | mid ly | |
4. Sanctus | tablet phone | S | A | T | B | mid ly | |
5. Benedictus | tablet phone | S1 S2 | A | T | mid ly | ||
6. Agnus Dei | tablet phone | S | A1 A2 | T | B | mid ly | |
3. Missa tertii toni | |||||||
1. Kyrie | tablet phone | S | A | T | B | mid ly | |
2. Gloria | tablet phone | S | A | T | B | mid ly | |
3. Credo | tablet phone | S | A | T | B | mid ly | |
4. Sanctus y Benedictus | tablet phone | S | A | T | B | mid ly | |
5. Agnus Dei | tablet phone | S | A1 A2 | T | B | mid ly | |
4. Agnus Dei (instrumental) | |||||||
Agnus Dei | tablet phone | mid ly |
Score | Mobile | Didactic MIDIs | Files | |||
---|---|---|---|---|---|---|
1. Et factum est postquam (Feria quinta) | tablet phone | S | A | T | B | mid ly |
2. Aleph. Quomodo obtexit (Feria sexta) | tablet phone | S | A | T | B | mid ly |
Score | Mobile | Didactic MIDIs | Files | |||
---|---|---|---|---|---|---|
3. Dixit Dominus primi toni | tablet phone | S1 S2 | A | T | B | mid ly |
4. Dixit Dominus tertii toni | tablet phone | S | A | T | B | mid ly |
5. Dixit Dominus quarti toni | tablet phone | S | A1 A2 | T | B | mid ly |
6. Dixit Dominus sexti toni | tablet phone | S | A | T | B | mid ly |
7. Confitebor tibi septimi toni | tablet phone | S1 S2 | A | T | B | mid ly |
8. Laudate pueri octavi toni | tablet phone | S | A | T | B | mid ly |
9. Credidi octavi toni | tablet phone | S | A | T | B | mid ly |
10. Laudate Dominum quinti toni | tablet phone | S | A | T | B | mid ly |
11. Laetatus sum tertii toni | tablet phone | S | A | T | B | mid ly |
12. In convertendo tertii toni | tablet phone | S | A | T | B | mid ly |
13. Lauda Jerusalem octavi toni | tablet phone | S1 S2 | A | T | B | mid ly |
Score | Mobile | Didactic MIDIs | Files | |||
---|---|---|---|---|---|---|
14. Fabordones para los ocho tonos I | tablet phone | S | A | T | B | mid ly |
15. Fabordones para los ocho tonos II | tablet phone | S1 S2 | A | T | B | mid ly |
Score | Mobile | Didactic MIDIs | Files | |||
---|---|---|---|---|---|---|
16. Conditor alme siderum | tablet phone | S1 S2 | A | T | B | mid ly |
17. Hostis Herodes impie | tablet phone | S | A | T | B | mid ly |
18. Vexilla regis | tablet phone | S1 S2 | A | T1 T2 | B | mid ly |
19. Jesu nostra redemptio | tablet phone | S | A | T | B | mid ly |
20. Pange lingua gloriosi | tablet phone | S1 S2 S3 | A | T | B | mid ly |
21. Aurea luce | tablet phone | S | A | T | B | mid ly |
22. Exsultet caelum laudibus | tablet phone | S | A | T | B | mid ly |
23. Ave maris stella | tablet phone | S | A | T | B | mid ly |
Arrangements by other composers | ||||||
24. Pange lingua (bis) Arranged by an unknown composer | tablet phone | S1 S2 | A | T | B | mid ly |
25. Vexilla regis (bis) Arranged by Gaspar Fernandes | tablet phone | S1 S2 | A | T | B | mid ly |
Score | Mobile | Didactic MIDIs | Files | |||
---|---|---|---|---|---|---|
1. Magnificat primi toni | tablet phone | S | A | T | B | mid ly |
2. Magnificat secundi toni | tablet phone | S | A | T | B | mid ly |
3. Magnificat tertii toni | tablet phone | S | A | T | B | mid ly |
4. Magnificat quarti toni | tablet phone | S | A | T | B | mid ly |
5. Magnificat quinti toni | tablet phone | S | A | T | B | mid ly |
6. Magnificat sexti toni | tablet phone | S | A | T | B | mid ly |
7. Magnificat septimi toni | tablet phone | S | A | T | B | mid ly |
8. Magnificat octavi toni | tablet phone | S | A | T | B | mid ly |
Score | Mobile | Didactic MIDIs | Files | |||
---|---|---|---|---|---|---|
9. Qui habitat | tablet phone | S1 S2 | A | T | B | mid ly |
10. Ecce nunc benedicite | tablet phone | S | A | T | B | mid ly |
11. In manus tuas | tablet phone | S | A | T | B | mid ly |
12. Custodi nos | tablet phone | S | A | T | B | mid ly |
13. Nunc dimittis Canticum Simeonis | tablet phone | S1 S2 | A | T | B | mid ly |
14. Benedicamos Domino | tablet phone | S1 S2 | A | T | B | mid ly |
15. Deo dicamus gratias | Same as number 24. of the first volume |
Score | Mobile | Didactic MIDIs | Files | |||
---|---|---|---|---|---|---|
16. Amargas horas | tablet phone | S1 S2 | A | T | B | mid ly |
17. Cuán bienaventurado | tablet phone | S1 S2 | A | T | mid ly | |
18. Dime, manso viento | tablet phone | S1 S2 | A | T | mid ly | |
19. Duro mal, terrible llanto | tablet phone | S1 S2 | A | T | mid ly | |
20. Ojos hermosos | tablet phone | S1 S2 | A | T | mid ly | |
21. Pues ya las claras fuentes | tablet phone | S1 S2 | A | T | mid ly orig | |
22. Rosales, mirtos, plátanos y flores | tablet phone | S1 S2 | A | T | mid ly |
To open and practice the didactic MIDIs we recommend musescore.
All the scores are created with lilypond. We provide the source ly files for possible modifications.
Mobile versions are tested only with Adobe Reader. The phone version is intended for smaller screens because it allows zoom-in easily. It requires to disable auto-rotation and set "continuous" display mode option. The tablet version is better in fullscreen mode.
Nancho Alvarez | vag at uma dot es
tomasluisdevictoria.org