\version "2.18.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.4)
#(ly:set-option 'point-and-click #f)
%mobile -s14.5 -i3.0

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mt=#(define-music-function (parser location offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Salva nos, stella maris"
hcomposer="Morales"

\header {
	title=\markup{\fontsize #4 "Salva nos, stella maris"}
	%subtitle=" "
	subsubtitle=\markup{\column{" " " " " " " " " " }}
	composer="Cristóbal de Morales (c.1500-1553)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{\smaller "Toledo Ms."}
	% Catedral de Toledo. Libro 21 de polifonia
	copyright=\markup{
		\fill-line {"Edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}

global={\key c \major \time 2/2 \skip 1*29 \bar "|." 
}


cantus=\relative c''{
	s4*0^\markup{"Resolutio"}
	R1*2
	g1
	\[a2 c\]
	c2. b4
	c4 d c8 b a g
	a4 f g2
	r2 a
	c4 c2 b8 a
	b4 c d d
	e2. d8 c
	d4 c2 b4
	c2 r
	r2 r4 d
	e4 f2 e4
	d c d2 % CSIC \ss cis
	R1
	r4 e f f ~
	f e8 d e4 c ~
	c b c2 ~
	c r
	g1
	c
	b2 c ~
	c a
	b4 d c4. b8
	a g g2 \ss fis4
	g1 ~
	g\breve*1/2
}

altus=\relative c''{
	g2. d4 f4. g8 a4 g ~
	g8 f e4 d2
	r4 a'2 a4
	a2 g4. f8
	e4 d e f ~
	f8 e c4 d g ~
	g a4. g8 f4
	e c8[ d e f] g4 ~
	g4 e f d
	c8 d e f g a b!4 ~ % CSIC bis
	b g4 a g ~
	g a2 g4 ~
	g8 \ss fis fis4 g b
	b4 c2 b4
	a g a2 ~
	a1
	r2 a,4. b8
	c d e f g2
	g2 e4. f8
	g4 a g f8 e 
	d2 c4. d8
	e2 f
	d4 g4. f8 e d
	c2 r
	d e ~
	e d4 a 
	b8 c d4. c8 c4 ~
	c b8 a b\breve*1/4
}

altusdos=\relative c''{
	R1*2
	r4 g2 d4
	f2 e4 c
	e f d2
	c4 g c2
	r2 r4 d
	e f4. e8 f d
	g4 g g4. f8
	d4 a'2 g4
	g1
	f4 e d2
	c1
	r2 r4 g'
	g4 a2 g4
	f e d2 ~
	d4 c8 b c[ d] e[ f]
	g2 a
	g4 g4. f8 e4
	d2 c4. d8
	e4 a, e' a,
	b8 c d b e4. f8
	g4 a2 a4
	g4. f8[ e d] c4 ~
	c8 d e4 d2 ~
	d4 b c2
	r2 d ~
	d e
	d\breve*1/2
}

tenor=\relative c'{
	s4*0^\markup{"Canon"}
	g1
	\[a2 c\]
	c2.^\markup{\smaller \musicglyph #"scripts.usignumcongruentiae"} b4
	c4 d c8 b a g
	a4 f g2
	r2 a
	c4 c2 b8 a
	b4 c d d
	e2. d8 c
	d4 c2 b4
	c2 r
	r2 r4 d
	e4 f2 e4
	d c d2 % CSIC \ss cis
	R1
	r4 e f f ~
	f e8 d e4 c ~
	c b c2 ~
	c r
	g1
	c
	b2 c ~
	c a
	b4 d c4. b8
	a g g2 \ss fis4
	g1^\markup{\smaller \musicglyph #"scripts.usignumcongruentiae"}
	c4. b8 a2
	g1 ~
	g\breve*1/2
}

bassus=\relative c'{
	r2 r4 g
	d f2 e8 d
	e4 c g'2
	f4 d a'2
	r2 r4 g
	a b c f, ~
	f8 g a4 g2 ~
	g4 f8 e d2
	c r4 g' ~
	g4 a f g
	c,4. d8 e f g a
	b4 c f, g
	c, f8[ g a b] c4
	b4 a g2
	R1
	r2 d
	d4 a'2 a4
	g g f2
	c1
	r2 c ~
	c4 f e f
	g2 c,4 c' ~
	c8 b a g f2
	g c, ~
	c d
	r2 c ~
	c d
	b c
	g'\breve*1/2
}

textocantus=\lyricmode{
Sal -- va __ _ nos, stel -- la __ _ ma -- _ _ _ _ _ ris
tu quæ te -- nes _ in gre -- mi -- o
Re -- _ _ _ _ _ gem
cu -- i re -- ges co -- e -- unt
\italicas 
cu -- i re -- _ _ ges co -- e -- unt:
au -- rum,
thus, myr -- rham of -- _ fe -- _ _ _ _ _ runt.
}

textoaltus=\lyricmode{
Sal -- va nos, stel -- la ma -- _ _ ris
\italicas 
sal -- va nos, stel -- _ _ _ la ma -- _ _ ris,
\rectas 
tu quæ te -- \mt #.5 nes in gre -- _ _ _ _ mi -- o
Re -- gem, __ _ _ _ _ _ _ 
\italicas 
in gre -- mi -- o Re -- _ _ gem,
\rectas 
cu -- i re -- ges co -- e -- unt
re -- ges \italicas co -- _ _ _ e -- unt:
\rectas 
au -- _ _ rum, thus, __ _ _ _ 
\italicas myr -- _ _ rham
\rectas 
of -- fe -- _ _ _ runt
\italicas 
au -- rum,
thus, myr -- rham __ _ _ _ of -- fe -- _ runt.
}

textoaltusdos=\lyricmode{
Sal -- va nos,
stel -- la ma -- _ _ _ _ ris
tu quæ te -- _ _ _ nes in gre -- _ _ mi -- o Re -- _ _ _ gem
cu -- i re -- ges co -- e -- unt, __ _ _ 
\italicas cu -- _ i _ re -- ges
\rectas 
co -- e -- _ _ unt:
au -- _ _ rum,
thus, __ _ _ _ _ _ myr -- _ _ rham
of -- fe -- _ _ _ _ _ _ _ _ runt
of -- fe -- runt.
}

textotenor=\lyricmode{
Sal -- va __ _ nos, stel -- la __ _ ma -- _ _ _ _ _ ris
tu quæ te -- nes _ in gre -- mi -- o
Re -- _ _ _ _ _ gem
cu -- i re -- ges co -- e -- unt
\italicas 
cu -- i re -- _ _ ges co -- e -- unt:
au -- rum,
thus, myr -- rham of -- _ fe -- _ _ _ _ _ runt,
of -- _ fe -- runt.
}

textobassus=\lyricmode{
Sal -- va nos, __ _ _ _ stel -- la ma -- _ ris
tu quæ te -- nes in __ _ _ gre -- _ _ mi -- o
cu -- i re -- _ ges __ _ _ _ _ _ _ co -- _ e -- unt,
\italicas 
co -- _ _ _ _ _ e -- unt
\rectas 
cu -- i re -- ges co -- e -- unt: __ _ 
au -- rum, thus, et myr -- rham of -- _ _ _ _ _ fe -- runt
\italicas 
of -- _ _ fe -- runt.
}


incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus I  "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c2"
		\key c \major
		\time 2/2
		g'1.
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltusdos=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus II "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c2"
		\key c \major
		\time 2/2
		g'1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 2/2
		g\breve
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-f3"
		\key c \major
		\time 2/2
		g2
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName="[Cantus] "
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "treble"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>

	\new Staff <<\global
	\new Voice="v5" {
		\set Staff.instrumentName=\incipitaltusdos
		\clef "treble"
		\altusdos }
	\new Lyrics \lyricsto "v5" {\textoaltusdos }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	%\context { \Staff \RemoveEmptyStaves }
	\context {\Staff 
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi {}

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=8
	ragged-last-bottom = ##f
	indent=3.3\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 12) (minimum-distance . 0) (padding . 0))
	%top-markup-spacing #'basic-distance = 0
	markup-system-spacing #'basic-distance = 20

}